Marc
Johnson
(Nebraska 1953)

as a leader
marc Johnson: bass desires (1985)
marc Johnson's bass desires: second sight (1987)
marc Johnson: right brain patrol (1991)
marc Johnson: the sound of summer running (1998)
as a leader track : - John scofield & pat metheny: summertime, perugia
(1994)
as a collaboration :
John abercrombie / marc Johnson / peter erskine (1988)
bob mintzer / John abercrombie / marc Johnson / peter erskine: hymn
(1990)
John abercrombie / marc Johnson / peter erskine with John surman: november
(1992)
wolfgang muthspiel / marc Johnson / brian blade: real book stories (2001)
as a sideman :
John d'earth: one bright glance (1989)
patricia barber: a distortion of love (1991)
mitchel forman: train of thought (1985)
John abercrombie: current events (1985)
peter erskine: transition (1986)
andy laverne: plays the music of chick corea (1986)
warren bernhardt: hands on (1986)
John abercrombie: getting there (1987)
peter erskine: motion poet (1988)
ecm spectrum vol.1 (1990)
andrea marcelli: oneness (1992)
mike mainieri presents come together: guitar tribute to the beatles
(1993)
peter o'mara: symmetry (1994)
kenneth sivertsen: remembering north (1994)
ralph towner: lost and found (1995)
wolfgang muthspiel: perspective (1996)
vince mendoza: epiphany (1997)
kenneth sivertsen: one day in october (1998)
As a virtuoso bassist, versatile composer, and acclaimed bandleader,
Marc Johnson has been a major innovator on the jazz scene for the past
two decades. Johnson took up bass at the age of 16, having already studied
piano and cello. While completing his formal education in the celebrated
music program at the University of North Texas, at age19, Johnson began
performing professionally with the Fort Worth Symphony. In 1977, he
was on the road with the Woody Herman Band. A stop with Herman in New
York City marked a major turning point for Johnson, where he was invited
to sit in with Bill Evans at the Village Vanguard. In 1978, he joined
Evans' trio, remaining with him until the pianist's death two years
later. Johnson appears on numerous albums recorded with Evans, including
the Grammy-winning We Will Meet Again and released in 1997, a six-CD
box set of live recordings, Turn Out the Stars, weaving his distinctively
warm tones and melodic lines into the complex harmonies of the Trio.
''I was still a very young player when I was with Bill,'' Johnson says,
but by playing with him night after night I matured a lot. My confidence
grew, my ability to concentrate heightened, my sense of timing improved,
and my knowledge of harmony expanded.'' Over the past 20 years, Johnson
has performed on more than 100 albums. Many have been with pianists,
including Eliane Elias, Lyle Mays, and Enrico Pieranunzi, although Johnson
has also recorded with saxophonists Stan Getz, Joe Lovano, and Michael
Brecker, drummers Peter Erskine and Paul Motian, and Jack DeJohnette,vibist
Gary Burton, and bandoneon master Dino Saluzzi. And many of his most
notable recordings have been with guitarists. ''In 1984, when I first
had an opportunity to do something on my own,'' Johnson explains, ''I
wanted to do something completely different from my previous association
with Bill Evans, so as not to try to recreate the experience I had with
that trio. When I was a kid, before I knew I was going to be a musician,
I listened to all kinds of music, from the Beatles to Bob Dylan, Beethoven
to Ravel, the Allman Brothers to Jimi Hendrix; I had rather eclectic
tastes. By the time I was seventeen, though, I was heavily into jazz,
mainly Bill Evans and Miles Davis. Writing for a two guitar format brings
together my earliest musical influences, my musical 'first loves'.''
In addition to his long membership in guitarist John Abercrombie's trio,
Johnson formed two guitar-oriented bands that rose to prominence in
the late 1980s and early 1990s. Bass Desires, with guitarists Bill Frisell
and John Scofield, recorded two albums for ECM - a self-titled debut
in 1986 and Second Sight in 1987; cut two trio albums for JMT ø a self-titled
disc in 1993 called Right Brain Patrol, initially with Ben Monder on
guitar, later in 1995 with Wolfgang Muthspiel on guitar, an album titled
Magic Labyrinth,both featuring Arto Tuncboyacian on percussion. Johnson
also recorded an album of four duets, Two By Four (Emarcy) in 1991.
On The Sound of Summer Running (on Verve records), his sixth recording
as a leader, Johnson returned to the two-guitarist alignment inaugurated
in Bass Desires. ''I wanted to continue that idea,'' Johnson explains.
''Bill Frisell and I had played together, but neither of us had played
with Pat Metheny, so this was a first. Joey Baron was a likely choice
as the drummer because of his long association with Frisell and he's
one of my favorite musicians.'' Marc currently divides his concert schedule
performing with the Eliane Elias Trio, Charles Lloyd Quartet, Lee Konitz
Trio, and Paul Motian Trio.